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Like predecessor ’18’ it may not reach the heady heights of ‘Play’ but nonetheless it reeks of quality throughout.
An Archive of Incendiary Magazine 2002 – 2017
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Like predecessor ’18’ it may not reach the heady heights of ‘Play’ but nonetheless it reeks of quality throughout.
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Like when words don’t fit in, you know, sometimes I’ll opt for a word that isn’t necessarily the best, or the most descriptive word I could use but it just sounds nice, you know?
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Maybe its fair to say that it is a contemplative body of work; definately one for the balcony with a book and a glass of something nice. Perfect for the coming months. Find it.
Ryan’s other experiences in the market are less pleasant, however. He suffers sunburn and complains loudly when guitarist Brad Rice plays a cruel trick on him. He wonders aloud, (one must say, rather pensively), about why everyone is staring at him and calling him names. Who would possibly do such a beastly thing?
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The guitars in this album are so far away from angular they may have to be called circular, if that didn’t sound so ridiculous.
Annemieke gets up close and personal with Holland’s brightest popsters.
"A letter from Roel relating the adventures of two old friends and their guitars. Sounds like they went down well."
Continue reading “Crosby & Nash – Melkweg, Amsterdam – 24/03/2005”
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Things have moved on in the last two years, as you are all doubtless aware, but British Sea Power, as befits their name, have nevertheless ploughed their own furrow (or, more appropriately, charted their own course), regardless of what’s around them.