Sometimes its better to let the artificial commotion surrounding new releases settle down before deciding to listen to, read, or watch something. I’ve just started to read Dickens for the first time ever, and by today’s standards, I’m already 170 years late on doing that.
Top of The Pops
I, like many others saw the full extent of this tax-payer scorn when my father was (unexpectedly) confronted with Boy George in all his glory. “What’s that? Is it a lad or a girl? You surely don’t like that, do you?” No, of course I didn’t but I couldn’t agree with him, now could I?
Sunn-O – Black One
“Also enjoyable are some of the descriptions of the instruments played on each track. What on Earth is Mystik Fogg Indikator’s icy inverted crosswinds upon four strings zamboni?”
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Voltage – Hitting the Ground EP
“Hitting the Ground, a bad tempered and introspective rant – underpinned by an unholy mix of gloomy chords and mid-70s synths – think of Cluster jamming with the Mary Chain and you are about there.
Vic du Monte – Persona Non Grata
“As for White Heat, well that is just a jerky ride on grandad’s motorbike. It’s slightly bug-eyed and strained, but it rocks in a Live at the Witch Trials kinda way.”
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Clue to Khalo – One Way, It’s Every Way
“Whatever: the lyrics are the worst thing about the record. At times they sound like they’ve been written after a therapy session and all of them tend to err towards the sanctimonious. The album is improved immeasurably by just letting the songs wash over you. ”
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Letter from London; Jan 2006
“back next month….”
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Murcof – Remembranza
“I can’t help think that people like it (in part at least) because they really think that they ought to. And we can’t be having that.”
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Jenny Lewis with The Watson Twins – Rabbit Furcoat
“Title track, Rabbit Furcoat is a classic campfire sing-a-long. I can really see Jenny with her acoustic guitar surrounded by 100 or so wide-eyed kids.”
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